Monday, July 23, 2007

 

Get a Hobby, But Make It Ancient

After Live Earth, I was going to suggest that everyone in the over-developed world get rid of a hobby - just one. Hobbies use resources and most of us start hobbies with good intentions of keeping them up. We purchase all the proper stuff to take part in our chosen hobby, plus a bunch of storage containers to keep everything organized. After a short while, the hobby is forgotten. We're too busy; it was too hard, etc. etc. And the stuff for our hobby sits - wasted resources. Better it sit than go to a landfill, however it's even better that it go to someone who will use it.

The other trouble with hobbies from a resources standpoint is that most of them involve making things - turning one thing, or a variety of things, into another. Behold! CREATION!

Being an artist, I understand the thrill of creation. It's addictive. It's also caused no end of introspection along the lines of: How many wall hangings & paintings & useless knick-knacks does this planet need? I've long been attracted to the idea of the art of utility - making useful things beautiful. I also like small art, which uses fewer resources because of size. Many artists in general are scavengers, turning junk into art and building the concept of recycling into their work. My husband's motorcycle table is a great example. Then, there's slow art - where it might take years to complete one work. Think of all of these suggestions as the RUSS method of artistic resource conservation. R - ecycled art, U - seful art, S - mall art, S - low art.

On a personal level, this use of resources issue has caused me to cut back on my artistic creation and contributed somewhat to my increase in writing. The creativity has to come out somehow and writing, at its most essential (read: without computer), is not more than pen to paper, which results in an infinite number of potential creative outcomes.

Lose a hobby was my suggestion after Live Earth. Better yet, don't start one unless you're darn sure it's one you're going to stick with or you're sure you'll die if you don't have this outlet. (Don't, however, let this stop you from taking a class or several in order to try something out. Just don't spend money on resources you're not going to use.)

After reading Terry Glavin's "The Sixth Extinction," I've changed my mind. Get a hobby, but make it an ancient one. According to Pat Mooney, who is quoted in Glavin's book, "Our generation may be the first in the history of the world to lose more knowledge than we gain." (pg. 222)

Not only are we losing biological diversity in the form of plants and animals, we are also losing cultural diversity, which includes language and ways of life. The only way we're going to keep some of these things alive is to learn what our forebears knew and keep transmitting it to interested youngsters.

Show of hands. How many people tat anymore? How many of you speak Ojibwe? Can you turn flax into linen? Brew a batch of beer? Play a children's game from two generations ago? These are things that were still commonly being done only a very short while ago. Think of all the cultural activities we've already lost that are from before that time.

If you're interested in finding an ancient hobby, check out your local museum. Small museums are a great repository of books and other information that can lead you to what came before. Sometimes, they'll even contain artifacts that relate to that old hobby, so you can see what tools were used. If you decide to adopt an ancient hobby, make sure to share what you learn, either by writing or teaching. We've got information to save.

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Friday, June 08, 2007

 

Drawing & Such

I took another vacation day today, which resulted in the day feeling like Saturday instead of Friday. Daughter, husband and I went shopping. Daughter is joining cross-country and wanted a pair of running shoes. I took my sewing machine in to be repaired. The zig-zag stitch mechanism isn't working. The machine has seen fairly light use since I bought it back in 1995. My husband can't believe I still have the receipt.

This evening, husband and I took Young Son Number Two out for a walk. Pleasant time for it - breezy, but not cold, sunny, not too many bugs.

Last night (I seem to be backing up in time here), I finished a fiber arts piece that I'm thinking of using for the collection of short stories I'm writing. Let's be honest, I'm really working on a book, but if I think of it as a collection of short stories, it seems more manageable. Now that I'm well on my way toward finishing story #8, I have to think about the format the book will take, which includes the cover. That's what the fiber piece is about. My first love, as far as interests go, is art. I've been drawing and doing some sort of fiber art since I was a kid. Now that I'm coming to book layout and design, my fingers will be all over that as well as the writing.

If I haven't created a piece of art in a while, I tend to forget how much I like the process. This morning I was talking to Eldest Son and spotted a library book on the floor near his bed (the best place for library books, in my opinion). I asked if I could look at it and got the go ahead from Eldest Son. The book is called "Keys to Drawing with Imagination" by Bert Dodson. What a fabulous book. Even if you're not an artist, it's fun to look through with its acres of whimsical drawings. Should you choose to delve in, Dodson starts you out with a chapter called "Doodling and Noodling," which is a no-stress way to get drawing. And I mean no-stress. Trust me on this. I've taken many a college art class in my day and haven't seen the "Take a Line on a Walk" exercise before. I'm just itching to get out my pencils and good paper.

Addendum (just a wee bit later, same day): Here is the link to Bert Dodson's real-deal website. The one above is for his book on Amazon.

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Friday, April 27, 2007

 

Perverse Pleasure

Most people who know me would say I'm nice. I'm not tooting my horn here; that's what they'd say because, for the most part, I don't try to ruffle feathers. However, I've got a mean streak. My weaving teacher in college recognized it once. The assignment that led to his recognition was to combine two pigments together on two notecards. On one, we were to identify the two colors we had used. The other was handed to someone else in class and they had to try to remix the color. My teacher saw the color I had made, a dark purply splotch, and what I had mixed to arrive at it, something odd, like green and blue, and he looked at me and said, "I didn't know you had it in you."

That sums up my mean streak. It's not a big thing, but it comes out once in a while in weird ways. For example, I've taken a perverse pleasure in doing blog searches on Dave Matthews Band and reading the negative comments people make. One blog writer used to like DMB, but quit listening after coming to Christianity. The reason? DMB's music wasn't holy enough because it glorified partying. Someone else - well, a lot of someone elses - think DMB's music simply sucks. Of course, I disagree, but I still like reading this trash talk. I'm not exactly sure why. Maybe it's because I like to think of myself as a discerning individual and, if everyone under the sun likes the same thing I do, well, I'm no longer discerning, am I? I'm just one of the herd. And I don't like being part of the herd.

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Friday, April 20, 2007

 

Inspiration

Something dawned on me recently that quite surprised me. Before I get to that, I'd like to talk about inspiration. As an artist and writer, I take inspiration from many, many things. Science, the woo-woo mysteries of life, birds, flowers, children, historical events, small human behaviors, technology, the interesting juxtaposition of words and the sounds of words, and, of course, the creations of others, be they books, art, movies and music. I'm never sure how all of these things will come together, or what the result will be. My latest realization came to me while listening to a U2 CD. As I was listening, the music translated into images in my mind. This has happened before with U2 music. It has also happened with the music of Duran Duran and Ultravox. The result is that I'm inspired to create visual art with the songs of U2 et. al. The surprise about this is that I've been listening to the music of Dave Matthews Band a lot these past couple of years and it makes me want to write stories. It wasn't until I re-listened to U2 that I saw the difference. U2's music doesn't have the story-writing effect on me, not in the least. U2 inspires visual art, DMB inspires literary art. I don't know why this is, but there it is.

So, now, what inspires you to fits of creativity? Feel free to be more specific than I was. (Science, sheesh! That about covers everything, doesn't it?)

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Wednesday, February 28, 2007

 

Nikki Giovanni

I was listening to Midmorning today on Minnesota Public Radio and heard Kerri Miller interview poet Nikki Giovanni. What a great program. Nikki has spark and snap. During her discussion, she was talking about copyright and whether people could use her work. She said that as long as she's alive, she wants people to use her work. And when she dies, she will have left instructions with her executor that people will still be able to use her work. She believes that her art is meant to be shared.

She's a girl after my own heart. What with all the big companies clamping down on copyright, sometimes even trying to squelch fair use, it's getting so that I feel I must get permission from artists merely to be inspired by their work. It's a dreadful state of affairs. Thankfully, there's a movement afoot to counteract some of this overreaching by heavy-duty copyright owners (who have the bankrolls to lobby for themselves and hire lawyers to glare at and sue anyone who dares put a finger on their works). That movement includes something called Creative Commons. Creative Commons is a voluntary licensing program wherein the creator of a work can choose the rights he/she wants to reserve. By using the Creative Commons program and posting the Creative Commons notice on a work, those who want to use it to inspire their own works will know exactly what rights they've been allowed. I've added a Creative Commons license (CC) to my blog. The license I've chosen allows others to use my work, but they must attribute it to me, they can't use it for commercial purposes, and if they use it, they have to be willing to share it.

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Monday, January 15, 2007

 

My Craziness Backed by Scott Ian

Boy, it's nice to have confirmation of my feelings on an issue. I've been going on and on about how technology has changed the music industry, some of it for the better, some of it for the worse, the worst part of it for me being a potential loss of album art and printed lyrics. So, a couple of nights ago, the hubby and I were watching a show on the history of heavy metal on VH1, and Scott Ian of Anthrax said something that was music to my ears. They were discussing the group Iron Maiden and, specifically, a character called Eddy who shows up on the cover of all the group's albums and made appearances at their concerts. Eddy is a ghoulish thing, all shrunken skin, evil eyes and wicked teeth. Scott Ian said that Eddy really gave Iron Maiden a particular image, along with saying that album art is very important. Hah! Vindication!

P.S. I'd post a picture of Eddy here, but don't want to get into trouble violating someone's copyright, so check out this link. Also, I didn't really want the first picture I attempt to post to be something ghoulish. Sorry, I'm a wimp.

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Saturday, January 13, 2007

 

Album Art & Lyrics Cards

Until a solution is presented, I'm going keep coming back to this. Now that music is going digital, what's going to happen to album art and printed lyrics? We're so quick to jump ship toward something new that we forget to look for sharks in the water. We're so quick to embrace the newest in technology that we forget to examine what we might be giving up. When it comes to album art, some think, "Good riddance to bad rubbish. No tears here if there is no album art. " On MPR's The Current music blog, Hans Eisenbeis posted "Album art! Does it matter anymore?" The title says it all, but there are several wonky album covers pictured in the post. If we want to have a discussion about album art, why don't we pick the cream of the crop, rather that the crap? I, of course, think that album art is important. I am an artist and album art is a great way to bring fine art to the masses. Album art gives fans a physical representation of musicians and bands. It allows us to connect with musicians along another dimension. Album art helps to brand musicians. It is also one avenue of employment for visual artists. If pictures of the musician or band members are included, we get to know what people look like. Another important part of album art is the printed lyrics. How often have we misinterpreted a song because the singer or our hearing wasn't as clear as desired?

I asked my daughter, who did not grow up with 12-inch albums, if she liked CD booklets with their album art. She answered in the affirmative. She especially liked being able to read the lyrics. Daughter has an iPod, and she said, "Mom, the album art comes with the downloads." I asked her to show me this album art. There it was, in postage stamp form on her iPod screen. If that's what album art has come to, why bother?

Of course, with music becoming available solely through the digital realm, album art can't remain the way it has. For one, most people download singles, rather than entire albums. We're not going to want an entire CD booklet for one song. You can find lyrics for most any song online, but I, for one, don't want to be intravenously connected to a computer 24/7. I listen to music away from the computer and want to be able to have quick access to those lyrics.

I've been pondering this problem of dying album art & lack of lyrics for a while and have a possible solution: Lyrics Cards. For each song a band creates, there could be a card produced that has lyrics on one side & art on the other. Think of playing cards, no . . . that's not quite right . . . think of Tarot cards. Lyrics cards would have to be bigger than playing cards so the lyrics would fit. I suggest cards about the size of current CD booklets, if only because most of us have CD holders we could fit them into. They'd also be big enough to show some decent artwork and allow the lyrics to be seen without a magnifying glass. I imagine Lyrics Cards to be like trading cards. We can mix-and-match with friends. We can arrange our own playlists with them. When someone downloads a song, if they desire, they could have a Lyrics Card mailed to them. Bands could use them as promotional items.

So, there you have it. My crazy idea for saving album art: Lyrics Cards. Will it work? I have no idea. Maybe I'm just an old codger at the tender age of 39. Maybe I'm not with it and the majority of people want to see album art and printed lyrics leave in a whimpering fizzle. I, however, am not ready to give up without a fight.

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