Wednesday, April 04, 2007
Favorite Books
This morning on MPR's Midmorning program, there was a discussion about who various writers would include in their top ten greatest literary works of all time. J. Peder Zane has compiled a book called "The Top Ten: Writers Pick Their Favorite Books." According to the conversation, when writers were approached to pick their top ten, they were first asked to define what made a great literary work. One of the guests said that a work was great to him if it was something he himself couldn't write, but wished to. That's a pretty good definition. Someone else said that a great book was one that really struck you at exactly the right time in your life, something formative. I'd also say unforgettable, or something that makes you think in ways you hadn't before. Of course, when listening to such a discussion, the mind wanders to what you might pick for your top ten. And you know very well that I'm going to have to share my top ten. Most of these books came immediately to mind, a couple I had to really think about. These are not in any particular order.
Shop Girl by Steve Martin
My Lord Bag of Rice by Carol Bly
Anne of Green Gables (the first in the series) by L. M. Montgomery
The Secret Garden by Frances Hodgson Burnett
Lamb by Christopher Moore
American Gods by Neil Gaiman
To Kill a Mockingbird by Harper Lee
Charley by Joan Robinson
A Wrinkle in Time by Madeline L'Engle
Fahrenheit 451 by Ray Bradbury
That's my top ten, and most of them will remain on my list for a long time because I read a bunch of them when I was a kid and they've stuck with me all this time. So, what books would you include in your top ten?
Shop Girl by Steve Martin
My Lord Bag of Rice by Carol Bly
Anne of Green Gables (the first in the series) by L. M. Montgomery
The Secret Garden by Frances Hodgson Burnett
Lamb by Christopher Moore
American Gods by Neil Gaiman
To Kill a Mockingbird by Harper Lee
Charley by Joan Robinson
A Wrinkle in Time by Madeline L'Engle
Fahrenheit 451 by Ray Bradbury
That's my top ten, and most of them will remain on my list for a long time because I read a bunch of them when I was a kid and they've stuck with me all this time. So, what books would you include in your top ten?
Labels: books, christopher moore, mpr, neil gaiman, steve martin, top ten, writers
Saturday, December 09, 2006
Comparisons
I've got it! When I first posted about The Killers, I mentioned that they reminded me of some other band. Well, it's not ONE other band they remind me of, more like a cross between a couple of bands - Echo & the Bunnymen and The Cure. Somewhere on Hot Fuss, during some little phrase, Brandon Flowers also sounds like Freddy Mercury. You probably don't think so, and that's okay. In fact, you'll probably think that The Killers sound like someone else altogether.
Why is comparison of the unknown to something known such a human trait? I'm sure a scientist or psychologist could give me a good answer to this. Like our fear of the unknown, like our desire to figure things out & we have to do the comparison in order to understand new things. Blah, blah, blah.
The one place where comparisons drive me batty is when they are used to critique a creative artist. "That painting of a nude by Gesso McPainterly has the verve of a VanGogh with a splash of Renoir and a twist of O'Keefe." This practice of comparison during critique has become so commonplace that it's starting to smack of lazy writing. Maybe that's because the comparisons are made within the same field, i.e. new musicians are compared to older musicians, new writers are compared to older writers, etc. What if critics started comparing musicians to writers or sculptors or movie directors? What if they started comparing songs to books or paintings? You might end up with something like this: "The new album of Band X has overtones of a Coen brothers' movie, with the raw quirkiness of Christopher Moore's book "Coyote Blue" and the scattered notes of an Alexander Calder mobile."
People would have to think about comparisons like these, but they'd sure make the critiques more interesting.
Why is comparison of the unknown to something known such a human trait? I'm sure a scientist or psychologist could give me a good answer to this. Like our fear of the unknown, like our desire to figure things out & we have to do the comparison in order to understand new things. Blah, blah, blah.
The one place where comparisons drive me batty is when they are used to critique a creative artist. "That painting of a nude by Gesso McPainterly has the verve of a VanGogh with a splash of Renoir and a twist of O'Keefe." This practice of comparison during critique has become so commonplace that it's starting to smack of lazy writing. Maybe that's because the comparisons are made within the same field, i.e. new musicians are compared to older musicians, new writers are compared to older writers, etc. What if critics started comparing musicians to writers or sculptors or movie directors? What if they started comparing songs to books or paintings? You might end up with something like this: "The new album of Band X has overtones of a Coen brothers' movie, with the raw quirkiness of Christopher Moore's book "Coyote Blue" and the scattered notes of an Alexander Calder mobile."
People would have to think about comparisons like these, but they'd sure make the critiques more interesting.
Labels: art, brandon flowers, christopher moore, coen brothers, comparison, creativity, killers, music, writing
